PART I. STYLE CHARACTERISTICS OF THE PERFORMANCE
OF POLYPHONIC MUSIC OF THE 18TH CENTURY (J.S. BACH)
J.S. BACH. 15 two-part inventions
Section 1. INVENTIONS WITH FEATURES OF TOCCATA IN THE CHARACTER OF PERFORMANCE
§1. INVENTION in C Major, No.1
§2. INVENTION in D Minor, No. 4
§3. INVENTION in E-Flat Major, No. 5
§4. INVENTION in F Major, No. 8
§5. INVENTION in A Major, No. 12
Section 2. INVENTIONS OF THE LYRICO-PHILOSOPHICAL CHARACTER
§1. INVENTION in C Minor, No. 2
§2. INVENTION in F Minor, No. 9
§3. INVENTION in G Minor, No. 11
§4. INVENTION in A Minor, No. 13
§5. INVENTION in B Minor, No. 15
Section 3. INVENTIONS WITH DANCE FEATURES IN THE CHARACTER OF PERFORMANCE
§1. INVENTION in D Major, No. 3
§2. INVENTION in E Major, No. 6
§3. INVENTION in E Minor, No. 7
§4. INVENTION in G Major, No. 10
§5. INVENTION in B-Flat Major, No. 14
Section 2. J.S. BACH. PRELUDES AND FUGUES (WTC), Volume I, No. 1, 2
§1. PRELUDE and FUGUE in C Major
§2. PRELUDE and FUGUE in C Minor
PART II. STYLISTIC FEATURES OF CLASSIC SONATA PERFORMANCE
Section 1. VIENNA CLASSICS
§1. J. HAYDN. SONATA in E Major, No. 15
§2. L. Van BEETHOVEN. SONATA in G Major, Op. 49 No. 2
§3. W. A. MOZART. SONATA in C major K No. 330
PART III. STYLISTIC FEATURES OF PERFORMANCE OF THE ROMANTIC MUSIC
Section 1. EUROPEAN ROMANTIC MUSIC
§1. I. BRAHMS. WALTZ in E Major, Op. 39 No. 2
§2. R. SCHUMANN «A WOEFUL PREMONITION» (Album Leaves, Op.124 No. 2)
§3. F.CHOPIN. NOCTURNE in F Major, Op.15 No.1
Section 2. RUSSIAN MUSIC
§1. P. TCHAIKOVSKY. «NEAPOLITAN SONG» Children’s Album, Op. 39
§2. A.SCRIABIN. ALBUM LEAF, Op. 45 No. 1
§3. S. RACHMANINOFF. ÉTUDE-TABLEAU (A STUDY-PICTURE) in G Minor, Op.33 No.5
PART IV. STYLE CHARACTERISTICS OF THE PERFORMANCE OF MUSIC OF THE XX AND XXI CENTURIES
Section 1. EUROPEAN MUSIC OF THE XX — XXI CENTURIES
§1. B. BARTOK. TWO SKETCHES, No.6 and No.2 from Sketches, Op. 9 / b
§2. K. Debussy. “Footprints in the Snow” Book I, L.117 №6
§3. A. Schoenberg. Two Little Pieces (Six Little Pieces, Op. 19)
Section 2. RUSSIAN MUSIC OF THE XX — XXI CENTURIES
§1. S. Prokofiev. Transience, comp. 22 No. 14
§2. R. Gabichvadze. “Two sketches from the cartoon”
§3. R. Shchedrin. BASSO OSTINATO